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b. 548-553
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composition: Op. 39, Scherzo in C♯ minor
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Pedalling marks in EE - category imprint: Differences between sources issues: Errors of GC |
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b. 548-549
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composition: Op. 11, Concerto in E minor, Mvt I
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We consider the missing tie of a1 to be an oversight – cf. bars 193-194. The tie was added in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 548-550
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composition: Op. 11, Concerto in E minor, Mvt I
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The slurs of FE are inaccurate, to say the least – the slur in bar 549 (which opens a line) is a continuation of a non-existing slur at the end of bar 548 (in the system, we consider the slur in the same way it was interpreted in GE1, i.e. as beginning in bar 549). A comparison with analogous bars 193-194 shows which slur Chopin most probably meant, and we give this version in the main text. In EE, like in bars 541-542, the slur was completed in the simplest manner – the initial fragment of the slur from bar 549 was added over the 3rd beat of bar 548. In GE3, both bars were encompassed with one slur; however, it was not led to the beginning of bar 550. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , GE revisions |
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b. 548
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composition: Op. 11, Concerto in E minor, Mvt I
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We add a cautionary category imprint: Editorial revisions |
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b. 548
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composition: Op. 11, Concerto in E minor, Mvt I
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The digits written in FEH are identical with the ones given by Fontana in EE in analogous bar 193. See also the fingering in the R.H. category imprint: Differences between sources |
in bars 548 and 552 as well as 
in b. 553 - must be incomplete. It is possible that they were incorrect or unclear already in [A1], which may have triggered their complete omission in 
before c1 in the main text.
