



b. 552
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composition: Op. 39, Scherzo in C♯ minor category imprint: Differences between sources issues: Errors in GE |
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b. 552
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 552
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals |
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b. 552-559
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composition: Op. 31, Scherzo in B♭ minor
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In A the slurs over the characteristic quaver motifs generally encompass only the quaver groups in these bars (the only exception are the slurs in b. 554-555, reaching the crotchet at the beginning of the next bar). The remaining sources do not show traces of Chopin's influence on the range of those slurs. Therefore, taking into account the fact that the discussed figures are identical, in every respect, in the main text we unify the slurs, giving always the ones Chopin wrote in A more often. Such a solution was also adopted in GE2 (→GE3). Alternatively, we also suggest 6-note slurs, which are more frequent in similar motifs in the entire Scherzo. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Inaccurate slurs in A , GE revisions , EE inaccuracies , Inaccuracies in FC , Uncertain slur continuation |
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b. 553
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composition: Op. 39, Scherzo in C♯ minor
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In EE the chords are tied only in b. 554 which marks a new line of text. category imprint: Source & stylistic information issues: EE inaccuracies |