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b. 548
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composition: Op. 11, Concerto in E minor, Mvt I
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The digits given by Fontana in EE are identical with the ones written in FEH in analogous bar 193. category imprint: Differences between sources issues: EE revisions |
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b. 548-551
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composition: Op. 31, Scherzo in B♭ minor
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Four accents under the bass octaves were not reproduced in such a form in any of the remaining sources. While GE2 (→GE3) contains all accents, they are placed above the octaves, which is a revision of the text of GE1 on the basis of a comparison with FC and unification by analogy (an accent was added in b. 551, which is absent in FC). category imprint: Differences between sources issues: Errors in FE , Errors in GE , GE revisions , Errors of FC |
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b. 549
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add cautionary naturals before the d2 grace note and the d1 crotchet in the chord in the L.H. category imprint: Editorial revisions |
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b. 550
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add an arpeggio in bar 550 after bar 195. The indication was added also in EE3. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 550
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add an accent over the syncopated chord after bar 195. The mark was added also in EE3. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
