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b. 548

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

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The digits given by Fontana in EE are identical with the ones written in FEH in analogous bar 193.

category imprint: Differences between sources

issues: EE revisions

b. 548-551

composition: Op. 31, Scherzo in B♭ minor

4 accents in A & GE2 (→GE3)

3 accents in FC

No marks in FE (→EE) & GE1

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Four accents under the bass octaves were not reproduced in such a form in any of the remaining sources. While GE2 (→GE3) contains all accents, they are placed above the octaves, which is a revision of the text of GE1 on the basis of a comparison with FC and unification by analogy (an accent was added in b. 551, which is absent in FC).

category imprint: Differences between sources

issues: Errors in FE , Errors in GE , GE revisions , Errors of FC

b. 549

composition: Op. 11, Concerto in E minor, Mvt I

..

In the main text, we add cautionary naturals before the d2 grace note and the d1 crotchet in the chord in the L.H.

category imprint: Editorial revisions

b. 550

composition: Op. 11, Concerto in E minor, Mvt I

No marking in FE (→GE,EE1EE2)

Arpeggio sign in EE3

Arpeggio sign suggested by the editors

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In the main text, we add an arpeggio in bar 550 after bar 195. The indication was added also in EE3.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 550

composition: Op. 11, Concerto in E minor, Mvt I

No mark in FE (→GE<EE1EE2)

Accent in EE3

Accent suggested by the editors

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In the main text, we add an accent over the syncopated chord after bar 195. The mark was added also in EE3.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions