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b. 364

composition: (Op. 4), Sonata in C minor, Mvt IV

..

category imprint: Editorial revisions

b. 365

composition: Op. 11, Concerto in E minor, Mvt III

No marking in FE (→GE1→GE2)

​​​​​​​in EE & GE3

[]​ suggested by the editors
..

The missing ​​​​​​​ mark must be considered an inaccuracy, hence, after EE and GE3, we add it in the main text.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , No pedal release mark

b. 365

composition: Op. 11, Concerto in E minor, Mvt III

​​​​​​​ in FE (→EE)

No sign in GE

​​​​​​​ suggested by the editors
..

The range of the  hairpin in FE (→EE) is questionable – it is disproportionately short to the descending part of the passage, which lasts the entire bar. A possible reason for that inaccuracy could be lack of space under the low-placed beam of the 3rd triplet in [A]. In the main text, we suggest a mark modelled after the more carefully marked passage in bars 356-357. The absence of the mark in GE is most probably attributable to an oversight.

category imprint: Editorial revisions

issues: Scope of dynamic hairpins

b. 365

composition: Op. 31, Scherzo in B♭ minor

..

In all editions except for GE2 the whole-bar rest was specified with the digit 1, one (FE and GE3) or two (GE1 and EE).

category imprint: Differences between sources

issues: EE revisions , GE revisions , FE revisions

b. 365-366

composition: Op. 2, Variations, complete

Wedge & 11 staccato dots in A

12 wedges in GE (→EE)

13 wedges in FE

3 wedges in FESB
..

The change of dots to wedges is a revision of GE (→FE,EE,FESB), while the additional wedge in FE – a mistake.

category imprint: Differences between sources

issues: GE revisions , Wedges