|
b. 363-364
|
composition: Op. 2, Variations, complete
..
The slurs were being corrected in A, which is evidenced by the traces of erasures in the R.H. part and by the shape of the first L.H. slur. In the R.H. in bar 363 the first slur encompassed 2 triplets, while the second one started from g category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
||||||||||||||
|
b. 363
|
composition: Op. 2, Variations, complete
..
Replacing the staccato dots with wedges is a revision, while the omission of the mark over d category imprint: Differences between sources issues: Errors in GE , GE revisions , Wedges |
||||||||||||||
|
b. 363
|
composition: Op. 2, Variations, complete
category imprint: Differences between sources issues: Errors in GE |
||||||||||||||
|
b. 363-364
|
composition: Op. 2, Variations, complete
..
AsI includes different dynamic indications here, describing an earlier concept, changed in the stage of writing A. We move the mark in bar 364 between the staves, since it certainly concerns both parts and was written over the top stave due to lack of space between the staves. In GE1 the hairpin was slightly widened or moved, generally adjusting it to individual beats. This notation was repeated in the remaining editions, in the case of FE with a mistake, while in the case of GE3 with a further shift. category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Scope of dynamic hairpins , GE revisions |
||||||||||||||
|
b. 363-364
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A there is no category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
2. In the L.H. the slur in bar 363 reached only the last octave in this bar.
mark).
to the 4th quaver in bar 363 (e2) and to the last crotchet in bar 364 (a). Moreover, Chopin did not write a cautionary 
to b