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b. 361-363
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, only some of the g notes (in various octaves) are provided with necessary naturals – G and g2 in bar 361 and G-g in bar 363 (Chopin would often repeat accidentals before tied notes, which we do not apply in our transcriptions – see General Editorial Principles). All necessary accidentals were already added both in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals |
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b. 361
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources issues: EE revisions |
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b. 361-363
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composition: Op. 11, Concerto in E minor, Mvt III
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In each of these bars (as well as in bar 360), Fontana marked in EE a finger swap on the G notes – from first to fifth in bars 360 and 362 and from fifth to first in bars 361 and 363. Such a fingering is a natural consequence of holds of those notes, carefully marked by Chopin; however, the fingering's function is not limited to the realisation of the octave sound of the bass note, which, e.g. in bars 362-363, is already guaranteed by the pedalling. Finger swaps on tied notes provide for a convenient and secure grip of the played notes (g and G1), which allows the performer to concentrate on the virtuoso passages in the R.H. category imprint: Differences between sources issues: EE revisions |
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b. 361-364
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composition: Op. 31, Scherzo in B♭ minor
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The missing ending of the slur in a new line must be a mistake of the copyist. The error was corrected in GE2 (→GE3), most probably on the basis of analogy with b. 463-466. category imprint: Differences between sources issues: GE revisions , Errors of FC |
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b. 361
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composition: Op. 2, Variations, complete
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The omission of the category imprint: Differences between sources issues: GE revisions |
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