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b. 366
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composition: Op. 16, Rondo in E♭ major
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We add two cautionary accidentals next to the 3rd quaver in the L.H. category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 366-367
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, these bars are written very inaccurately in terms of the accidentals in the passage in the R.H. – they are missing before the 6th, 11th and 12th semiquavers in bar 366, while in bar 367, they are present only before the 1st and 2nd notes. In GE and EE, all necessary accidentals were added; however, those in the 2nd triplet in bar 367 were added only in EE and GE3. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals |
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b. 366
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composition: Op. 11, Concerto in E minor, Mvt III
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Fontana's fingering, indicated only next to the notes written on the bottom stave, defines a scheme for the entire passage. In FEH, the same fingering was marked also in the 2nd half of the bar. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 366
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composition: Op. 2, Variations, complete
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The absence of an category imprint: Differences between sources issues: EE revisions , Errors in GE |
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b. 367
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composition: Op. 39, Scherzo in C♯ minor
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A tempo primo marking visible in GC was not put down by Chopin, however there is no doubt about its authenticity. In GE it was replaced with a conventional marking used in such situations and in the main text we adopt a similar solution. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
under G
1-G
