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b. 366

composition: Op. 21, Concerto in F minor, Mvt III

d in chord in A & GE2

B in chord in GE1

B alone in FE (→EE1) & EE3

Sixth in EE2
..

Both the change introduced in GE1 and the one in FE definitely come from Chopin who was looking for the smartest connection of this bar with the following one, as far as the piano skills and harmony are concerned. At the same time, he most probably wanted to emphasise the chromatic movement of the bass, hence the arbitrary version of EE2 certainly does not correspond to his intention. The last crotchet in bar 368 underwent the same transformation, which excludes a possibility of a mistake in both versions.

category imprint: Differences between sources

issues: Accompaniment changes , Authentic corrections of FE , Authentic corrections of GE

b. 366

composition: Op. 16, Rondo in E♭ major

..

We add two cautionary accidentals next to the 3rd quaver in the L.H.

category imprint: Editorial revisions

issues: Cautionary accidentals

b. 366-367

composition: Op. 11, Concerto in E minor, Mvt III

..

In FE, these bars are written very inaccurately in terms of the accidentals in the passage in the R.H. – they are missing before the 6th, 11th and 12th semiquavers in bar 366, while in bar 367, they are present only before the 1st and 2nd notes. In GE and EE, all necessary accidentals were added; however, those in the 2nd triplet in bar 367 were added only in EE and GE3.   

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals

b. 366

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE
..

Fontana's fingering, indicated only next to the notes written on the bottom stave, defines a scheme for the entire passage. In FEH, the same fingering was marked also in the 2nd half of the bar.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 366

composition: Op. 2, Variations, complete

 under G1-G in A

No sign in GE (→FE)

at end of bar in EE
..

The absence of an  asterisk in GE (→FE) must be of an accidental nature. The engraver of GE1 probably omitted it, since it was difficult to squeeze it in the right place. The reviser of EE was close to guessing Chopin's idea.

category imprint: Differences between sources

issues: EE revisions , Errors in GE