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b. 363-364

composition: (Op. 4), Sonata in C minor, Mvt IV

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In A there is no  to the 4th quaver in bar 363 (e2) and to the last crotchet in bar 364 (a). Moreover, Chopin did not write a cautionary  to b at the beginning of bar 363. All the accidentals were added in GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 364

composition: Op. 21, Concerto in F minor, Mvt III

No mark in A (→GEFE)

Short accent in EE

Long accent suggested by the editors

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According to us, the missing accent in A (→GEFE) must be considered an inaccuracy; Chopin wrote accents in all 16 analogous figures (bars 178-183, 258, 260, 354-362 and 495-501).

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 364

composition: Op. 11, Concerto in E minor, Mvt I

g2 in chord in FE (→EE)

a2 in chord in GE

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The mistake of FE (→EE) is proved by a comparison with analogous bars 363 and 367-368 (see also bars 39-40) as well as by the orchestral part, in which in oboe I there is an aand not g2. The revision of GE was most probably based on the aforementioned analogy.   

category imprint: Differences between sources

issues: Errors in FE , GE revisions

b. 364

composition: Op. 16, Rondo in E♭ major

Wedge in FE (→EE)

Staccato dot in GE

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In GE, the wedge was arbitrarily changed to a staccato dot.

category imprint: Differences between sources

issues: GE revisions

b. 364

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FED

No fingering in FE (→GE)

Fontana's fingering in EE

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Single fingering digits in FED and EE complement the Chopinesque indications contained in FE (→GE,EE).

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FED