



b. 343
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we include the category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 343
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composition: Op. 11, Concerto in E minor, Mvt I
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FE are devoid of staccato dots under the quavers, which must be regarded as a mistake in this context. The marks were added in GE and EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 343
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composition: Op. 16, Rondo in E♭ major
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In GE, the dashes marking the range of crescendo are led to the end of bar. It is an arbitrary revision. category imprint: Differences between sources issues: GE revisions |
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b. 343
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composition: Op. 2, Variations, complete
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The version of GE (→EE,FESB) resulted from a mistake by the engraver of GE1, who did not notice that the B category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE |
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b. 343-347
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composition: Op. 2, Variations, complete
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The version of AsI is the initial version of the markings, in this bar enhanced by Chopin, but in analogous bars used also in the published version. The change of accent type is a typical arbitrary decision of EE – a similar situation is to be found in bar 347. category imprint: Differences between sources issues: EE revisions |