



b. 345-346
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composition: Op. 2, Variations, complete
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In both bars wedges instead of dots must have resulted from an ad hoc revision by the engraver of GE1, who unified these marks in the entire finale of the Variations. category imprint: Differences between sources issues: GE revisions , Wedges |
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b. 345-347
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composition: Op. 2, Variations, complete
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As in bar 342, the missing R.H. slurs in bars 345-346 are most probably Chopin's oversight, hence it would be appropriate to add slurs. We suggest three versions analogous to the complete versions of bars 341-343 and a fourth one modelled on the continuous slur in bars 359-361, yet maintaining separate the slur entered by Chopin into A at the beginning of bar 347. To the main text we choose the version analogous to the one proofread by Chopin in bars 341-343. category imprint: Differences between sources; Editorial revisions issues: Errors of A |
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b. 345-347
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composition: (Op. 4), Sonata in C minor, Mvt IV
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Both A slurs clearly reach the beginning of the next bar. Therefore, the shorter ones in GE (→FE,EE,IE) must be considered a revision. category imprint: Differences between sources issues: GE revisions |
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b. 345
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A the category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Omission of current key accidentals |
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b. 345-346
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composition: (Op. 4), Sonata in C minor, Mvt IV
category imprint: Differences between sources issues: Errors in GE |