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b. 310-311

composition: Op. 31, Scherzo in B♭ minor

e2 tied in A (→FC), EE & GE2 (→GE3)

e2 repeated in FE & GE1
..

The missing tie of e2 must be mistakes of FE and GE1, corrected in EE and GE2 (→GE3) respectively.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , Errors in GE , GE revisions

b. 310

composition: Op. 44, Polonaise in F♯ minor

No markings in GE

Accent & slur in FE (→EE)

Our variant suggestion
..

In the main text we suggest the markings of FE (→EE) for the chordal section starting from the syncopated crotchet; it is possible to add the staccato dot from GE in analogous b. 25.

category imprint: Differences between sources; Editorial revisions

issues: Authentic corrections of FE

b. 310

composition: Op. 44, Polonaise in F♯ minor

in GE

No sign in FE (→EE)
..

In the main text we include the  mark present in GE. See b. 314-326.

category imprint: Differences between sources

b. 310

composition: Op. 2, Variations, complete

3 staccato dots

3 wedges in GE1 (→EE,FE1→FE2, →GE2→FESB)

6 wedges in GE3
..

The wedges in the editions resulted from the engraver of GE1 having misinterpreted the authentic dots. In GE3 wedges were arbitrarily added over the chords too (cf. bar 305).

category imprint: Differences between sources

issues: GE revisions , Wedges

b. 310

composition: Op. 2, Variations, complete

in A

in GE1 (→GE2,EE,FE1→FE2)

in FESB

No sign in GE3
..

The differences in the range of the  hairpin resulted from routine revisions, adjusting the marks to rhythmic structures or beams – in GE1 (→GE2,EE,FE) on the left-hand side, while in FESB also on the right-hand side. The absence of the mark in GE3 is an oversight by the engraver. In the main text we reproduce the mark of A.

category imprint: Differences between sources

issues: Scope of dynamic hairpins , Errors in GE , GE revisions , FE revisions