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b. 309
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composition: Op. 21, Concerto in F minor, Mvt III
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Dragging the slur to the minim in this bar is a result of inaccuracy of the engraver of GE1. The slur in the L.H. in GE2 is an arbitrary addition. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , GE revisions |
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b. 309-310
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composition: Op. 21, Concerto in F minor, Mvt III
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Starting the slur from the beginning of the bar is a typical inaccuracy of GE1 (→FE→EE), corrected in GE2. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 309-310
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text we adopt the change introduced in GE. While proofreading FE in similar places (bars 291-294 and 307-308), Chopin replaced shorter slurs with one two-bar slur three times; therefore, it is highly likely that leaving this place without correction was either an oversight (of Chopin or the engraver) or an acceptance of a version that was not ideal, but a version that did not significantly distort the phrasing. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 309
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE (→GE1→GE2), there is a cautionary category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals , Last key signature sign |
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b. 309
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composition: Op. 16, Rondo in E♭ major
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The missing staccato dot in FE (→EE) is probably an oversight of the engraver, hence we add it in the main text. The reviser of GE also added a dot. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , EE inaccuracies |
before d
2 in the last chord. The mark, superfluous in this context, was removed in 
