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b. 307
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composition: Op. 11, Concerto in E minor, Mvt I
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Like in analogous bars 293-296, Chopin proofread the slurs in the L.H. in these bars, which is proved by the traces of corrections visible in FE. A two-bar slur replaced two slurs encompassing bar 307 and the last 2 beats of bar 308. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE |
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b. 307-310
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composition: Op. 11, Concerto in E minor, Mvt I
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In each of these bars, FE features a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 307-310
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composition: Op. 11, Concerto in E minor, Mvt I
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As before, in the main text we suggest long accents in bars 307 and 310, more suitable for minims in this harmonic context. category imprint: Interpretations within context; Editorial revisions issues: Long accents |
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b. 307-309
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composition: Op. 31, Scherzo in B♭ minor
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The notation in normal font notes is a result of the engraver of FE (→EE) having misunderstood A. category imprint: Differences between sources issues: Errors in FE |
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b. 307
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composition: Op. 31, Scherzo in B♭ minor
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In A one can see the original crossed-out version of that crotchet, i.e. the G category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
before the 1st semiquaver; however, in the further part of the passage, respective notes in other octaves are devoid of marks. These patent inaccuracies, most probably repeated after [A], were corrected in the remaining editions.
-d