b. 441-443
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composition: Op. 11, Concerto in E minor, Mvt I
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The fingering of these figures, in spite of its regularity, was recalled in these bars both in EE and FEH. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 441-455
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: |
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b. 441-443
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composition: Op. 11, Concerto in E minor, Mvt III
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Just like in bars 197-198, the absence of the mark in FE (→GE1→GE2) probably is not a mistake. The pedal is most probably supposed to be released at the end of bar 442 or at the beginning of bar 443, which may be suggested by the hold of the bass minim. The former was indicated in EE, whereas in GE3 there is no pedalling at all, which is most probably a mistake of the engraver. The mark suggested by us indicates an approximate moment of pedal release, leaving its specification to the discretion of the performer. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in GE , No pedal release mark |
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b. 441
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composition: Op. 11, Concerto in E minor, Mvt III
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In spite of the fact that the fingerings indicated in FED and EE concern the same figure, they are independent – each of them can be completed so that it complies with each other or differently. However, it is most convenient to continue the fingering of FED copied in the 1st half of the bar with the one marked by Fontana, whereas the fingering of EE can be easily combined also with other combinations of fingers in the 1st half of the bar (e.g. 2124). category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED |
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b. 441
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composition: Op. 11, Concerto in E minor, Mvt III
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We add cautionary sharps before g2 and g1 in the main text. category imprint: Editorial revisions |