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b. 441-443

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in bar 442 in EE

Fingering written into FEH in bars 441 & 443

..

The fingering of these figures, in spite of its regularity, was recalled in these bars both in EE and FEH.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 441-455

composition: Op. 11, Concerto in E minor, Mvt I

category imprint:

b. 441-443

composition: Op. 11, Concerto in E minor, Mvt III

 only in FE (→GE1GE2)

    in EE

No pedalling in GE3

   [] suggested by the editors

..

Just like in bars 197-198, the absence of the ​​​​​​​ mark in FE (→GE1GE2) probably is not a mistake. The pedal is most probably supposed to be released at the end of bar 442 or at the beginning of bar 443, which may be suggested by the hold of the bass minim. The former was indicated in EE, whereas in GE3 there is no pedalling at all, which is most probably a mistake of the engraver. The mark suggested by us indicates an approximate moment of pedal release, leaving its specification to the discretion of the performer.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Errors in GE , No pedal release mark

b. 441

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FED

No fingering in FE (→GE)

Fontana's fingering in EE

..

In spite of the fact that the fingerings indicated in FED and EE concern the same figure, they are independent – each of them can be completed so that it complies with each other or differently. However, it is most convenient to continue the fingering of FED copied in the 1st half of the bar with the one marked by Fontana, whereas the fingering of EE can be easily combined also with other combinations of fingers in the 1st half of the bar (e.g. 2124). 

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FED

b. 441

composition: Op. 11, Concerto in E minor, Mvt III

..

We add cautionary sharps before g2 and g​​​​​​​1 in the main text.

category imprint: Editorial revisions