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b. 295-296
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composition: Op. 21, Concerto in F minor, Mvt I
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The slurs of A are not entirely clear; however, it is difficult to assume that Chopin would like to end a slur before resolving the suspension, particularly since a similar measure was present already in the previous bar. In spite of this, GE1 (→FE→EE) includes slurs embracing three notes only, which was corrected in GE2. In the main text we also add a slur in the analogous figure in bar 296. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccuracies in GE , Inaccurate slurs in A , GE revisions |
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b. 295
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composition: Op. 21, Concerto in F minor, Mvt I
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In the part of the R.H. A (→GE1→FE) has only one category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 295-304
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composition: Op. 21, Concerto in F minor, Mvt III
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The slurs in the L.H. added in bars 295-296, 299-300, 302 and 304 in EE and GE2 are almost certainly an arbitrary revision. See bars 297-298. category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 295
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composition: Op. 16, Rondo in E♭ major category imprint: Source & stylistic information |
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b. 295
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composition: Op. 11, Concerto in E minor, Mvt I
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All fingerings are compliant in the fragments where their ranges overlap. In the main text, we suggest a compilation of the entry of FED and the part of the entry of FEH that complements it, which specify the hand position in the initial part of the bar. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Annotations in FEH |
, before the 2nd semiquaver. The necessary signs for the b2 and b3 notes were added in the remaining editions.
