



b. 295
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composition: Op. 44, Polonaise in F♯ minor
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Like in analogous b. 36 and 62, we consider the missing dots prolonging the f category imprint: Editorial revisions |
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b. 295
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composition: Op. 44, Polonaise in F♯ minor
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In GE and FE1 there is no accidental to the bottom note of the L.H. chord on the 3rd beat of the bar (d). FE2 and EE added a category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , FE revisions |
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b. 295
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composition: Op. 2, Variations, complete
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The term staccato is already in AsI, added in pencil. It is placed slightly earlier than the indication in A, from the beginning of the bar, which is probably related to the arpeggio starting from the 2nd semiquaver (without a rest) – see the note below. category imprint: Source & stylistic information |
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b. 295
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composition: Op. 2, Variations, complete
category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Main-line changes |
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b. 295-296
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A the R.H. part is written on the bottom stave. It is Chopin's oversight – on a new page of A (starting in bar 295), he probably forgot that he wanted to use both staves in this section – cf. the A notation from the middle of bar 292 to bar 294 and then in bars 297-305. Therefore, in our transcriptions we separate the parts of both hands in accordance with the way the remaining part of this theme was written down. This was already done in GE (→FE,EE,IE). category imprint: Source & stylistic information |