b. 424-425
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composition: Op. 11, Concerto in E minor, Mvt I
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According to us, the slur of FE (→GE,EE) is inaccurate, which is proved by the slur in analogous bars 428-429 (most probably proofread by Chopin) as well as by the slurs in the L.H. in both places. The absence of slurs in further part of bar 425 is probably intentional – in analogous bar 429, one can see traces of removal of the slur over the 2nd and 3rd groups of semiquavers in FE. category imprint: Editorial revisions issues: Authentic corrections of FE |
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b. 424
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we begin the slurs from the 1st semiquaver of the bar, since the first two semiquavers are encompassed with one slur in the three remaining analogous places in the second appearance of this theme (bars 416, 432 and 446). The notation in bars 415-416 is particularly significant, since it emphasises the unity of the tied quaver with the following semiquavers, which is especially meaningful when the entire phrase starts from two staccato quavers. category imprint: Editorial revisions |
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b. 424
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composition: Op. 16, Rondo in E♭ major
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We add a cautionary before e3 in the main text. category imprint: Editorial revisions |
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b. 424-425
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composition: Op. 31, Scherzo in B♭ minor
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GE1 has erroneously e1 as the last crotchet in b. 424. The mistake was corrected in GE2 (→GE3) by replacing it with a tied c1. category imprint: Interpretations within context; Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions |
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b. 425
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we add a cautionary before a1. The sign was added already in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions |