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b. 423-424

composition: Op. 39, Scherzo in C♯ minor

No tie in EE

f tied in GC (→GE) & FE

..

No tie on f in EE must most certainly be an error.

category imprint: Differences between sources

issues: Errors in EE

b. 423-432

composition: Op. 39, Scherzo in C♯ minor

..

In FE the dyads in LH in bars 423-424 and 431-432 are not split into two voices, similarly in bars 81-82 or 89-90.

category imprint: Differences between sources

b. 423

composition: Op. 39, Scherzo in C♯ minor

Short accent in EE

 in GC (→GE)

No mark in FE

Our suggestion

..

For the main text we adopt a long accent form b. 81 in EE.

category imprint: Interpretations within context; Differences between sources

issues: Long accents

b. 423

composition: Op. 21, Concerto in F minor, Mvt III

..

In FE the 1st beat is written an octave lower and it was supposed to be encompassed with an octave sign, which, however, begins only from the 2nd beat of the bar. In EE1 the octave sign starts only from the next bar, which seems to be a result of a misunderstanding during an attempt to correct the mistake of FE. The subsequent EE already include the correct text, compliant with A (→GE).

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Errors in EE

b. 423

composition: Op. 21, Concerto in F minor, Mvt III

..

A does not have a  lowering d3 to dat the beginning of the bar. Chopin's patent oversight was corrected – perhaps by himself – already in GE1 (→FEEE, →GE2).

category imprint: Interpretations within context; Differences between sources

issues: Omission of current key accidentals , Errors of A , Authentic corrections of GE