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b. 265
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composition: Op. 49, Fantaisie in F minor category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 265
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composition: Op. 49, Fantaisie in F minor
..
In A (→GE) there is no category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE , Errors repeated in GE |
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b. 265-269
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A there is not a single category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 265
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A Chopin did not restore the bass clef in this place, which renders the notation illogical until the end of the line in bar 270 (at the beginning of a new line, there is a bass clef). The mistake was corrected in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: GE revisions , Errors of A |
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b. 265
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
The category imprint: Differences between sources issues: Errors in GE |
restoring g2 in the middle of the bar. Chopin's patent oversight was corrected in 
to the bottom note of the octaves (D
) in these bars (as well as in the next ones, until bar 274). The patent inaccuracy was corrected in 
in 
in