



b. 264
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composition: Op. 22, Polonaise
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In the main text we suggest adding the indication Tutti (as well as Solo in b. 265). It was also added in EE. The same applies to b. 268-269. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 264
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composition: Op. 22, Polonaise
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The notation of the last two quavers is inaccurate in the sources, since Chopin most probably considered the manner in which he wrote the chord on the 4th quaver of the bar – c category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Errors in FE , Omissions to cancel alteration , GE revisions , Cautionary accidentals , Errors repeated in GE , Errors repeated in EE |
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b. 264
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composition: Op. 22, Polonaise
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The second dyad out of the group of four L.H. quavers in EE is an erroneous c category imprint: Interpretations within context; Differences between sources issues: Errors in EE , Terzverschreibung error |
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b. 264
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composition: Op. 2, Variations, complete
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In the main text we add cautionary naturals to the c2-c3 octave. category imprint: Editorial revisions |
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b. 264
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composition: Op. 49, Fantaisie in F minor
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In the last two R.H. quavers one can see deleted e category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |