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b. 266

composition: Op. 39, Scherzo in C♯ minor

No sign in EE

Arpeggio in GC (→GE) & FE

..

The absence of the arpeggio wavy line in EE is probably an error, yet we cannot rule out the possibility that this was the initial version of the notation here. 

category imprint: Differences between sources

issues: Errors in EE

b. 266

composition: Op. 39, Scherzo in C♯ minor

Pedalling in EE and FE

No markings in GC (→GE)

..

GC (→GE) has no pedal marks in this bar. This is almost certainly the mistake of the copyist (see also notes to bars 260-265 and 265-266).

category imprint: Differences between sources

issues: Errors of GC

b. 266-273

composition: Op. 35, Sonata in B♭ minor, Mvt II

Indications in GC & GE2

Only dim. in GE1

Indications in FE (→EE)

..

In the main text, we give dim. indication already in bar 266, according to GC (→GE). Its later occurrence in FE (→EE) could have been due to the new line starting at bar 267. The lack of the later indications – rallentando and lento – is certainly a result of engraver's oversight.

category imprint: Differences between sources

issues: Inaccuracies in FE , Errors in GE , GE revisions

b. 266

composition: Op. 21, Concerto in F minor, Mvt I

c2 in chords in A & GE2

No c2 in GE1 (→FEEE)

..

The absence of cin the chords is almost certainly a result of an oversight of the engraver of GE1 (→FEEE).

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 266

composition: Op. 21, Concerto in F minor, Mvt I

..

The cautionary flat before dwas added by us.

category imprint: Editorial revisions