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b. 263

composition: Op. 22, Polonaise

..

FE are lacking in the  raising a to a, which is a patent mistake, corrected in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions

b. 263-264

composition: Op. 44, Polonaise in F♯ minor

..

In GE2 b. 263-264 fall between the lines, which could have caused the later start of the slur.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 263-267

composition: Op. 44, Polonaise in F♯ minor

Continuous slur in GE

2 slurs in FE (→EE)

..

The division of the slurs in FE (→EE) could have been caused by, e.g. an inaccurate notation of the handwritten basis in the transition to a new line. Therefore, in the main text we give the slur of GE, which does not raise any source or stylistic doubts.

category imprint: Differences between sources

b. 263

composition: Op. 23, Ballade in G minor

..

In A one can see a deleted note in the chord (b).

category imprint: Corrections & alterations; Source & stylistic information

issues: Deletions in A , Accompaniment changes

b. 263

composition: Op. 2, Variations, complete

¯ ¯ ¯ in AsIAf & GE (→FE,EE)

No ¯ ¯ ¯ in A

..

Chopin's patent mistake in A is indicated by the presence of an octave sign both in the earlier manuscripts, AsI and Af, and in all editions. It is difficult to say whether the addition of this indication to GE1 came from Chopin, since in this context it could have seemed obvious.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Errors of A , Authentic corrections of GE