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b. 263-264

composition: Op. 11, Concerto in E minor, Mvt I

No upper slurs in FE (→EE,GE1GE2)

Slurs in GE3

..

The missing slurs over the accompanying quaver figures must be considered to be an inaccuracy in this context. The slurs were added in GE3.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 263

composition: Op. 16, Rondo in E♭ major

​​​​​​​ in FE (→GE)

​​​​​​​ in EE

..

A slightly earlier beginning of the ​​​​​​​ hairpin in EE could result from an inaccuracy or a routine revision.

category imprint: Differences between sources

issues: EE inaccuracies

b. 263

composition: Op. 11, Concerto in E minor, Mvt III

..

FE is missing a  lowering g​​​​​​​1 to g1. The context of the preceding G major scale points to Chopin's oversight, one of a few in this and the next few bars. The accidental was added both in GE and EE. The fact that Chopin heard g1 in the last triplet is supported by bar 265, in which the same motif is used, written in all sources with a  before the respective note.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals

b. 263-264

composition: Op. 31, Scherzo in B♭ minor

 end of bar 264 in A (→FE,FCGE)

 beginning of bar 263 in EE

..

The  asterisk was shifted in EE, probably under the influence of analogous b. 130-132.

category imprint: Differences between sources

issues: EE revisions

b. 263-264

composition: Op. 31, Scherzo in B♭ minor

..

Just like in b. 131-132, in the main text we keep the notation of the bars filled with rests, used by Chopin in A (→FC) and applied in GE2 too. The changes introduced in the remaining editions, i.e. replacing both bars with one double bar in FE (→EE) and providing the rests with digits, cannot come from Chopin.

category imprint: Differences between sources

issues: GE revisions , FE revisions