b. 321-322
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composition: Op. 44, Polonaise in F♯ minor
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We add cautionary naturals before D in the main text. category imprint: Editorial revisions |
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b. 321-325
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composition: Op. 2, Variations, complete
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The semiquavers ending the mostly six-note motifs encompassed with slurs in bars 321-322 and 324-325 (and in bars 327-328 as well) were provided with staccato dots by Chopin. The wedges with which they were replaced in the editions resulted from the unifying revision of the engraver of GE1. In the remaining editions, the wedges were repeated after GE1, whereby in EE and FESB some marks were overlooked – in EE the first one in bar 325, while in FESB all in bar 321 and 325 (and in bar 327 too) and the third one in bar 322. We do not consider these inaccurate versions to be independent variants. category imprint: Differences between sources issues: GE revisions , Wedges |
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b. 321-322
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composition: Op. 2, Variations, complete
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In A there are no accidentals to the last semiquaver on each beat of the bar – Chopin considered the accidentals written to the earlier notes placed an octave lower to be valid (AsI is slightly more accurate, since it includes a to c2 in bar 321). In GE1 (→FE,EE) these accidentals were added only just starting from g2, the last semiquaver in bar 321. In GE2 (→FESB) a to e2 was also added, while in GE3 also a to c2. category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Cautionary accidentals , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 321-322
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composition: Op. 2, Variations, complete
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In the main text we add cautionary naturals to the L.H. bottom voice quavers, c, g and d1. category imprint: Editorial revisions |
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b. 321
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composition: Op. 2, Variations, complete
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In the main text we omit the (cautionary?), which in all sources except AsI was unnecessarily repeated to e, the last quaver in the L.H. bottom voice. category imprint: Editorial revisions issues: Cautionary accidentals |