



b. 266-271
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composition: Op. 11, Concerto in E minor, Mvt I
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Fontana's fingering in bars 266-268 and 270-271 draws attention to combining legato the second bass motifs at the transitions between the bars. category imprint: Differences between sources issues: EE revisions |
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b. 266
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composition: Op. 2, Variations, complete
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None of the sources contains a category imprint: Interpretations within context; Editorial revisions issues: Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 266
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composition: Op. 2, Variations, complete
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The flat to c category imprint: Differences between sources issues: Accidentals in different octaves |
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b. 266
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composition: Op. 2, Variations, complete
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In the main text we include the arpeggio wavy lines entered into Af. Their absence in A and all the editions seems to be a patent oversight, considering the span of the chords and the arpeggios in the preceding bar. category imprint: Differences between sources issues: Errors of A |
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b. 266
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composition: Op. 2, Variations, complete
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As in bar 265, the pedalling marks in the 1st half of the bar are inaccurately aligned in A – the first category imprint: Graphic ambiguousness; Differences between sources issues: GE revisions , Inaccuracies in A |