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b. 314
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composition: Op. 21, Concerto in F minor, Mvt I
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Reproducing the clear long accent as a short one is certainly an inaccuracy of the engraver of GE1. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 314
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composition: Op. 21, Concerto in F minor, Mvt I category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 314
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composition: Op. 21, Concerto in F minor, Mvt I
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The half-bar slurs of GE1 (→FE→EE) are certainly an inaccuracy in reproducing A – cf. bar 312, in which the same slurs of A were reproduced correctly in the editions. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 314
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we suggest adding a slur in the L.H. after similar bar 298. Such a slur was added already in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 314
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composition: Op. 11, Concerto in E minor, Mvt I
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The traces visible in FE prove that, originally, the top voice was led differently: category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE , Main-line changes |
lowering g1 to g
1. The patent oversight was corrected in 
. It is the slur, removed at the time of that proofreading, that particularly draws attention – one can ponder whether it was not supposed to be adapted to the new shape of the melody and not to be removed. However, uncertain as to the range of a possible slur, we do not suggest any addition.