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b. 412-414
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we give the unquestionable slurs of FE (→GE1→GE2). The shorter second slur of EE is a revision, probably related to the copying of the bottom slur from the previous figure at the transition between bars 413 and 414. The version of GE3 is totally arbitrary. category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 412-413
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composition: Op. 11, Concerto in E minor, Mvt I
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The additional little slur at the transition between bars 412 and 413 was probably overlooked in GE – the wedges in these bars were also overlooked. In turn, EE included the little slur and repeated it in bars 413-414; the second time, the top slur was arbitrarily shortened. category imprint: Differences between sources issues: EE revisions , Errors in GE |
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b. 412-413
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composition: Op. 11, Concerto in E minor, Mvt I
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The one written in FED between the staves may refer to f1 in the L.H. or to the g category imprint: Graphic ambiguousness; Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |
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b. 412
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composition: Op. 16, Rondo in E♭ major
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The change of accent's length is a very frequent inaccuracy of EE. category imprint: Differences between sources issues: Long accents , EE revisions |
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b. 412
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing dots in GE are most probably an oversight, although it cannot be ruled out that the markings were added in the last proofreading of FE – cf. bar 430. category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE |
1 minim in the R.H. As the digit is placed closer to the L.H., since it touches the head of the 1st semiquaver, we assign it to this note. However, both in 
