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Undo Clear

b. 258

composition: Op. 11, Concerto in E minor, Mvt III

..

FE is missing naturals lowering c​​​​​​​2(3) to c2(3) at the end of the 1st half of the bar. The accidentals were added in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Inaccuracies in FE , GE revisions

b. 258

composition: Op. 22, Polonaise

..

In the main text we omit the  before f1 in the last L.H. chord, unnecessarily repeated in FE (→GE). In EE this accidental is absent due to the layout – the 2nd half of the bar is printed in a new line, as a result of which all three accidentals from the beginning of the bar were repeated before the 3rd chord.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Cautionary accidentals

b. 258-260

composition: Op. 44, Polonaise in F♯ minor

Slur to e4 in GE

Slur to c4 in FE, literal reading

No slur in EE
..

In FE b. 260 opens a new line, in which the slur from the preceding bars is not continued, although its ending in b. 259 clearly indicates that it should be continued. It is difficult to say whether this inaccuracy was related to the fact that EE omitted the slur. In the main text we give the slur of GE, which is certainly correct.

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in FE , Errors in EE , Uncertain slur continuation

b. 258

composition: Op. 2, Variations, complete

No timpani cue in AsI, Af & A (→GE→FESB,EE1→EE2)

Cue in FE & EE3
..

The minim tremolo was added – certainly by Chopin – in the stage of proofreading FE1. We replace the "tim" abbreviation used there with the contemporary "Timp." The musical notation is of a conventional nature – Chopin must have meant an octave tremolando . This is not an accurate reproduction of the timpani part either, since in the timpani the tremolo lasts only a crotchet and ends with a single note on the 4th beat of the bar (quaver and rest). The remaining sources of the piano part contain here only the solo voice rest. See also bar 260. The described addition was also introduced by EE3, undoubtedly on the basis of a comparison with FE.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 258-259

composition: Op. 49, Fantaisie in F minor

cresc. - - - in A

cresc. - - in GE

No indication in FE (→EE1)

cresc. in EE2
..

As in bars 254-255, cresc. - - was most probably added to A after [FC] had been finished. As there, in GE it was reproduced inaccurately, particularly the dashes marking its range. EE repeated the indication – in a reduced form – after GE1.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in GE