



b. 261-263
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composition: Op. 22, Polonaise
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In the entire three-bar chromatic sequence, in the main text we suggest a few cautionary accidentals in the R.H. part – category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 261
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composition: Op. 44, Polonaise in F♯ minor
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Chopin could have entered category imprint: Differences between sources |
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b. 261-263
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composition: Op. 44, Polonaise in F♯ minor
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The absence of slurs in FE (→EE) must be considered an oversight of Chopin, Fontana or the engraver – slurs are present both in analogous b. 3-4 and later in the introduction, in b. 263-267. category imprint: Differences between sources |
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b. 261-265
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composition: Op. 44, Polonaise in F♯ minor
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In GE1 the L.H. octaves in b. 261-264 are written down with the use of con 8a. In FE (→EE) it is also the 1st beat of b. 265 that was written down in this way. The abbreviation was expanded only in GE2. category imprint: Differences between sources; Source & stylistic information issues: GE revisions , Abbreviated octaves' notation |
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b. 261-263
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composition: Op. 44, Polonaise in F♯ minor
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The L.H. slurs, added by GE2, are an arbitrary revision, probably related to the fact that the R.H. part was moved to the top stave (cf. b. 250-260). category imprint: Differences between sources; Source & stylistic information issues: GE revisions |