Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 315

composition: Op. 39, Scherzo in C♯ minor

EE, GC (→GE) & FE

Our suggestion

Alternative slurring

..

Shortening of passages compared with the 19 corresponding places was caused most probably by a limited scale of the grand piano, as when Scherzo was composed most models had a scale range up to f4. Therefore, in the main text we suggest completing the figuration in compliance with the corresponding places, thus the slur needs to be appropriately modified in RH.

In EE the treble clef was omitted after the last rest.

category imprint: Editorial revisions; Source & stylistic information

issues: Constraint from piano range

b. 315-319

composition: Op. 39, Scherzo in C♯ minor

..

The slurs in the sources exemplify the figuration beginning in RH on the third beat in b. 315 and in LH in b. 316 - see the next  annotation. There are also no meaningful differences between them if we omit the imprecise notation of the slur's beginning in GC and arbitrarily added slur in LH in GE. We suggest to complete the figuration based on the corresponding places also with appropriate extention of the slur and retaining both slurring variants.

category imprint: Editorial revisions; Source & stylistic information

issues: Inaccuracies in GC

b. 315

composition: Op. 21, Concerto in F minor, Mvt III

..

Similarly as in bar 311, Chopin wrote the necessary naturals in A (→GE1FE) only in the first triplet (in both hands). In this bar, the necessary additions were introduced only in EE and GE2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 315-316

composition: Op. 21, Concerto in F minor, Mvt III

Slur to bar 316 in A

Slur in bar 315 in GE1 (→FE)

Slurs in bar 315 in EE

Slurs to bar 316 in GE2

..

Same as in bars 311-312, a shorter slur in GE1 (→FE) must be an inaccuracy, typical in this composition. EE added a similar slur in the L.H. In GE2 the slur was extended on the basis of A and an analogous one was added in the part of the L.H.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in GE , GE revisions

b. 315-316

composition: Op. 11, Concerto in E minor, Mvt I

No slurs in FE (→GE,EE)

Slurs written into FED

..

In the main text, we include the slurs added in FED, running from the 2nd semiquaver to the octave on the 2nd beat of the bar. According to us, it specifies the notation and harmonises with the printed notation – cf. the slurs in the L.H. in these bars and the slur in the R.H. in bar 317.

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies , Annotations in FED , Authentic post-publication changes and variants