b. 408-409
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composition: Op. 11, Concerto in E minor, Mvt I
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There is no restoring b in bar 408 before the last semiquaver in the L.H. in FE; the same applies to b1 in bar 409. These patent oversights, repeated almost certainly after [A], were corrected in GE (in both bars) and partially in EE (only in bar 409). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions |
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b. 408-409
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composition: Op. 11, Concerto in E minor, Mvt I
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The slur of FE (→GE1→GE2) must be inaccurate, yet it proves, together with other slurs in the L.H. in analogous bars, that Chopin did not intend to omit the slurs in the part of the L.H. Due to this reason, in the main text, we suggest slurs in both bars, modelled after the slur in the R.H. in bar 409. EE added only the slur in bar 409, whereas GE3 introduced inauthentic articulation, i.e. staccato dots and slurs, like in the R.H. part. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 408
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there is no lowering f to f. The patent inaccuracy of the Chopinesque notation was corrected in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 408
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE (→EE), there is no restoring g1 in the chromatic sequence in the R.H. In GE, this patent mistake was corrected. In addition, in FE there is no raising c1 to c1 in the L.H. This mistake was corrected both in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Errors repeated in GE , Errors repeated in EE |
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b. 408-409
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composition: Op. 11, Concerto in E minor, Mvt I
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The fingerings of EE and FEH differ at the beginning of the sequence, yet in the further part, one of Fontana's fingerings is most probably compliant with the entry in FEH. It is difficult to say whether and to what an extent one of these fingerings comes from Chopin. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH |