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b. 257-260

composition: Op. 21, Concerto in F minor, Mvt III

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In A there is no  lowering g1 to gin bar 257 and both necessary flats in bar 260. The signs in bar 260 were added already in GE1 (→FE), whereas all three flats are included in EE and GE2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A

b. 257

composition: Op. 21, Concerto in F minor, Mvt I

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In Morch Chopin added the first note of the bar in the trumpet and French horn parts, probably also in the trombone and timpani ones.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A

b. 257-263

composition: Op. 11, Concerto in E minor, Mvt I

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The original, then corrected, probably by Chopin, notation of the first note in bar 257 and of the following ones: . Similar changes were introduced in bars 267-271.

category imprint: Corrections & alterations; Source & stylistic information

issues: Authentic corrections of FE

b. 257

composition: Op. 11, Concerto in E minor, Mvt I

Appoggiatura in FE (→EE)

Acciaccatura in GE

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Like in bar 255, in the main text we give a long grace note on the basis of FE (→EE). The slashed grace note in GE is either an inaccuracy or routine revision.

category imprint: Differences between sources

issues: GE revisions

b. 257

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

No fingering in FE (→GE)

category imprint: Differences between sources

issues: EE revisions