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b. 257-280

composition: Op. 11, Concerto in E minor, Mvt I

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category imprint:

b. 257

composition: Op. 11, Concerto in E minor, Mvt III

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In GE1 (→GE2), there are no naturals lowering c and c​​​​​​​1 to c and c1. They were probably added in the last phase of proofreading of FE (→EE). Naturals were added also in GE3.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Authentic corrections of FE , Errors repeated in GE

b. 257

composition: Op. 31, Scherzo in B♭ minor

D1 in sources

D suggested by the editors
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In the main text we suggest the D note introduced by Chopin in the proofreading of FE in analogous b. 125, since Chopin's intentional differentiation between those bars seems to be less likely than an oversight of the correction in b. 257.

category imprint: Editorial revisions

issues: Omitted correction of an analogous place

b. 257

composition: Op. 22, Polonaise

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In FE (→GE), there is no  restoring g2 on the 8th semiquaver and no  restoring b2 on the 15th semiquaver. Both manifest mistakes were corrected in EE. 

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Errors in FE , Omissions to cancel alteration , Errors repeated in GE

b. 257

composition: Op. 22, Polonaise

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In the main text we add cautionary flats before e1 and a1. The accidentals were also added in GE3.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions