b. 409
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composition: Op. 11, Concerto in E minor, Mvt I
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A repetition of the reminding (?) before f1 may seem to be superfluous, cf. the version of GE3; however, in the main text, we preserve this mark due to the f note featured in the chords in the L.H. Moreover, if we take into account the entry in FEH, i.e. a before the 1st grace note in the bar, the discussed takes on different meaning, becoming a mark restoring f1. category imprint: Differences between sources issues: GE revisions , Cautionary accidentals |
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b. 409
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add a cautionary before b1. category imprint: Editorial revisions |
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b. 409
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there are no accidentals before the top note of the fifth and last fourth. In EE, a was added before the first of them (g2), whereas in GE, it was added before both (g2 and b2). According to us, it is only the first addition that is justified. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 409
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there is no raising d2 to d2 in the sequence in the L.H. The mistake was corrected in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 409-411
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composition: Op. 31, Scherzo in B♭ minor
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Notation in normal font notes is a result of a misunderstanding of A by the engraver of FE (→EE). category imprint: Differences between sources issues: Errors in FE |