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b. 257

composition: Op. 11, Concerto in E minor, Mvt I

Appoggiatura in FE (→EE)

Acciaccatura in GE
..

Like in bar 255, in the main text we give a long grace note on the basis of FE (→EE). The slashed grace note in GE is either an inaccuracy or routine revision.

category imprint: Differences between sources

issues: GE revisions

b. 257

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

No fingering in FE (→GE)
..

category imprint: Differences between sources

issues: EE revisions

b. 257-280

composition: Op. 11, Concerto in E minor, Mvt I

..

category imprint:

b. 257

composition: Op. 11, Concerto in E minor, Mvt III

..

In GE1 (→GE2), there are no naturals lowering c and c​​​​​​​1 to c and c1. They were probably added in the last phase of proofreading of FE (→EE). Naturals were added also in GE3.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Authentic corrections of FE , Errors repeated in GE

b. 257

composition: Op. 31, Scherzo in B♭ minor

D1 in sources

D suggested by the editors
..

In the main text we suggest the D note introduced by Chopin in the proofreading of FE in analogous b. 125, since Chopin's intentional differentiation between those bars seems to be less likely than an oversight of the correction in b. 257.

category imprint: Editorial revisions

issues: Omitted correction of an analogous place