b. 309
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composition: Op. 44, Polonaise in F♯ minor
category imprint: Differences between sources |
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b. 309
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composition: Op. 2, Variations, complete
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Single marks appear in Chopin's pieces quite rarely and – apart from the pieces' endings – most often result from oversights of marks supposed to complete them. According to us, this is also the case here – starting from the mark at the beginning of this bar, there are no more pedal marks in A until the end of the line of text (in bar 311), which points to momentary distraction. Due to the above, in the main text we suggest adding a , in accordance with the harmonic sense. Such a mark was also added in EE, almost in the same place. category imprint: Differences between sources; Editorial revisions issues: EE revisions , No pedal release mark , Inaccuracies in A |
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b. 309
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composition: Op. 2, Variations, complete
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The to the bottom note of the octave on the 3rd beat of the bar, overlooked in the manuscripts, was added right away in GE1 and repeated in the remaining editions. category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 310
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there is no before the 3rd quaver in the L.H. (d1). This patent inaccuracy was corrected already in GE1 (→FE→EE, →GE2). category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Inaccuracies in A |
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b. 310
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composition: Op. 21, Concerto in F minor, Mvt I
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In the analogous figure in bar 309, Chopin shortened the slur, so that it would start from the 2nd quaver. Therefore, it cannot be excluded that he forgot to introduce a similar correction in this place. Taking into account this possibility, we suggest a shorter slur as an alternative version. category imprint: Editorial revisions |