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b. 251
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composition: Op. 21, Concerto in F minor, Mvt I
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The clearly long accents of A were reproduced in GE (→FE→EE) as category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , Inaccuracies in FE |
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b. 251
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composition: Op. 19, Bolero
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We suggest adding staccato dots, the same as in analogous bar 137. The dots are present in GE (perhaps added by Chopin in a proofreading) and in EE (added by the reviser, most probably by comparison with bar 137). category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 251-252
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composition: Op. 21, Concerto in F minor, Mvt III
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The slur in GE1 is written ambiguously – the slur at the end of the line of the text (bar 251) suggests continuation, yet in bar 252 the slur runs from the 1st note. The notation of FE (→EE) proves that, without seeing A, the notation of GE1 was interpreted as two separate slurs. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 251
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composition: Op. 11, Concerto in E minor, Mvt I
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There is no indication that the version of GE could be possibly authentic – a comparison with analogous bars 227, 235 and 586 proves that it must be an example of a Terzverschreibung error. category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error |
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b. 251
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH |
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