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b. 391
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composition: Op. 39, Scherzo in C♯ minor
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In EE there is a short accent here. category imprint: Source & stylistic information issues: Long accents , EE inaccuracies |
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b. 391-392
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composition: Op. 39, Scherzo in C♯ minor
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No ties in EE must be an error. category imprint: Differences between sources issues: Errors in EE |
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b. 391
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we add a cautionary category imprint: Editorial revisions |
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b. 391-393
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composition: Op. 21, Concerto in F minor, Mvt III
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In GE1 (→FE→EE), a two-bar slur, devoid of musical sense, was printed in bars 392-393 instead of the slur of A, encompassing the motif of flutes and clarinets. The mistake was corrected in GE2. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 391
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composition: Op. 11, Concerto in E minor, Mvt I
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The version of GE is almost certainly a revision – it may be possible that the beginning of the octave sign was deemed erroneous, i.e. beginning too late. In turn, application of an analogous reasoning to the version of GE may explain the occurrence of the version of EE2 (→EE3). The fact that FE are free from mistakes is proved by an additional (apart from the already printed one), bold f3-g1 slur added by Chopin in FED. The melodic interval, connected with a slur, going beyond the span of an average hand, is an expressive procedure used by Chopin on a number of occasions (cf. e.g. the 2nd mov., bars 65-66, or the Nocturne in B major, op. 62 no. 1, bars 88-89). category imprint: Differences between sources issues: EE revisions , GE revisions |
before a
2.
