b. 301-302
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composition: Op. 49, Fantaisie in F minor
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The comparison with analogous bar 135 suggests that the A slurs are inaccurate here, particularly the one that ends on the last crotchet in bar 301. The beginning of the slur in bar 302 is written with a flourish, yet its shape quite convincingly indicates that it is related to the e2 minim and the respective accent. Taking into account the above, in the main text we give the unquestionable FE slurs (→EE). category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A |
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b. 302-304
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composition: Op. 21, Concerto in F minor, Mvt I
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The evident long accents in A in the middle of bars 302 and 304 were reproduced in GE (→FE) as short ones, whereas in EE they were changed to vertical. It is certain that none of the changes comes from Chopin. category imprint: Differences between sources issues: Long accents , EE revisions , Inaccuracies in GE |
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b. 302-304
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composition: Op. 21, Concerto in F minor, Mvt I
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In bars 302 and 304, Chopin placed a natural before the b2 crotchet in A (→GE1→FE→EE). In the main text we omit those superfluous signs. The naturals were removed also in GE2. The signs reveal Chopin's way of thinking, considering the top and bottom voices independently – cf. the 3rd mov. of the Concerto, bar 422. category imprint: Differences between sources issues: GE revisions , Cautionary accidentals |
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b. 302-305
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composition: Op. 21, Concerto in F minor, Mvt I
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The quavers opening these bars are provided with clear wedges in A. Reproducing them as staccato dots is a very frequent inaccuracy of GE (→FE→EE). category imprint: Differences between sources issues: Inaccuracies in GE , Wedges |
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b. 302
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composition: Op. 11, Concerto in E minor, Mvt I
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A comparison with the five bars, which had already occurred, containing a similar procedure proves the mistake of GE1 (→GE2), corrected in GE3. category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions |