b. 388
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In the main text we add a cautionary before e2. category imprint: Editorial revisions |
|||||
b. 388
|
composition: Op. 16, Rondo in E♭ major
..
In the main text, we adopt the hairpin after FE as the most likely reflection of Chopin's notation in [A]. In GE and EE the sign was slightly shifted in order to fit into the limits of semiquaver beams. category imprint: Differences between sources issues: EE revisions , GE revisions |
|||||
b. 388
|
composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
|||||
b. 388
|
composition: Op. 11, Concerto in E minor, Mvt III
..
FE does not contain any accidentals in the last semiquaver triplet. The patent inaccuracy was rectified in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
|||||
b. 389
|
composition: Op. 39, Scherzo in C♯ minor
..
Both rhytmical versions of this bar may well be authentic. Identical rhythmical differences between these sources occur in corresponding bars 47 and 129. In the main text we present the FE version - most probably the latest. In GE2 there is arbitrarily borrowed rhythm from FE.
category imprint: Differences between sources issues: GE revisions , Inserted rest |