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b. 300

composition: Op. 11, Concerto in E minor, Mvt I

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In GE1, the last note in the L.H. is an e1. A comparison with analogous bars 284, 286 and 302 proves the engraver's mistake. It was corrected in subsequent GE.

category imprint: Interpretations within context; Differences between sources

issues: Errors in GE , GE revisions

b. 300-301

composition: Op. 11, Concerto in E minor, Mvt III

No slurs in FE (→EE,GE1GE2)

Slurs in GE3

category imprint: Differences between sources

issues: GE revisions

b. 300-301

composition: Op. 11, Concerto in E minor, Mvt III

No marks in FE (→EE,GE1GE2)

Staccato dots in GE3

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The staccato dots in GE3 are an arbitrary addition, probably moved from a few parts of the orchestral part of FEorch (→GEorch).

category imprint: Differences between sources

issues: GE revisions

b. 300

composition: Op. 44, Polonaise in F♯ minor

..

Like in b. 274, the majority of the sources lack the  restoring g2 in the last octave in the bar. The mistake was corrected only in EE2 (→EE3) by adding sharps next to both notes of that octave. In the main text we add only the necessary  next to g2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE

b. 300

composition: Op. 44, Polonaise in F♯ minor

No accidental (d) in GE & FE1

 (d) in FE2 & EE

..

According to us, the version with d resulted from Chopin having overlooked the  in [A] (→GE,[FC]FE1). Therefore, in the main text we include the  added in FE2 and EE.

category imprint: Differences between sources

issues: EE revisions , Omission of current key accidentals , FE revisions