



b. 251
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composition: Op. 16, Rondo in E♭ major
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We add a cautionary category imprint: Editorial revisions |
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b. 251-255
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composition: Op. 23, Ballade in G minor
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We keep the notation of A (→FE), where the accidentals in b. 251 for the R.H. part are then not repeated before the same L.H. notes. An analogous situation is to be found in b. 255. In A one can even see that Chopin deleted all accidentals that had been written in those places – four in b. 251 and the category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: EE revisions , GE revisions , Deletions in A |
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b. 251
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composition: Op. 2, Variations, complete
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In A (→GE1→EE) the top stave remained unfilled in this bar, which did not attract the engraver's attention in GE1 (→EE1). The mistake was corrected by FE and GE2 (→GE3,FESB) by introducing notes and rests, as a result of which the complete record is compliant with the sound of the orchestra and present already in AsI. The correct text was also introduced by EE2 (→EE3), in which the rests filling this bar on the top stave were omitted. This kind of notation, more clearly indicating that the bass octave motif should be performed with two hands, could be even considered more convenient, particularly since this is how the next bars are written down (without rests on the top stave). category imprint: Interpretations within context; Differences between sources issues: Errors of A |
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b. 251
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composition: Op. 2, Variations, complete
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The version of EE, FESB and GE3 is most probably an arbitrary change performed by the revisers (engravers?), certain that the basis (in this case either GE1 or GE2) contained a mistake. category imprint: Differences between sources issues: EE revisions , GE revisions , Revisions in FESB |
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b. 251
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composition: Op. 2, Variations, complete
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The absence of a slur in the editions is almost certainly a consequence of the omission by the engraver of GE1. category imprint: Differences between sources issues: Errors in GE |