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b. 252-259
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composition: Op. 43, Tarantella
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In all the sources accents in bars 252-259 are completely arbitrary. In A there are only two accents in b. 252 are marked along with the one on the first beat of b. 253. In GE there are no accents marked, while in the other sources they are missing from b. 253 only. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in GE , Inaccuracies in FC |
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b. 252-253
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composition: Op. 43, Tarantella
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In all the sources except A the slur over the phrase ends in b. 251. In GE the same slur extends over to the first note of b. 252. The first beat of b. 252 is covered by a separate slur in these sources. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Inaccuracies in FC |
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b. 252
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composition: Op. 43, Tarantella
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In GE1 in the second half of the bar in LH D category imprint: Differences between sources issues: Errors in GE |
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b. 252-259
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composition: Op. 43, Tarantella
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In GE2 (→GE3>GE4) each beat of bars 252-259 is slurred in LH. In GE1 only the first slur is notated over the 252-253 bar line. In FE (→IE) there are only two slurs over the first and second beat of 258 i 259, and in EE only the last one was retained. In A and FC3 this part is not written out with notes in the LH part - the notes are replaced by repetition of bars. However in A the first slur in this part is notated, while there is no such slur in FC3. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
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b. 252
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composition: Op. 43, Tarantella
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Every beat in bars 252-259 (starting with the second beat) in A, FC3 and EE is slurred. In FE (→IE) the first beat of b. 259 is not slurred. In GE4 only bars 252-255 are slurred. In GE1 (→GE2→GE3) there are no slurs in this part at all. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE |
-d
