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b. 251-265
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composition: Op. 39, Scherzo in C♯ minor
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Differences in the extent of dynamic hairpins in bars 252-257 and 260-265 may at least partly result from inaccuracies. We adopt the version of FE as our main text, with some modifications in bars 253-254 and 261-262, as shortening of category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FE |
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b. 251-267
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composition: Op. 39, Scherzo in C♯ minor
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The sources differ with regard to the presence or absence of staccato dots in bars 251, 259 and 267. In our main text we apply the consistent markings of GC. The version of GE is definitely - and that of FE probably - inaccurate. The absence of the dots in EE may be the initial version. category imprint: Differences between sources issues: Errors in GE |
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b. 251
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composition: Op. 42, Waltz in A♭ major
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On the 3rd crotchet GE certainly erroneously repeats the previous chord. category imprint: Differences between sources issues: Errors in GE |
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b. 251
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composition: Op. 21, Concerto in F minor, Mvt I
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The clearly long accents of A were reproduced in GE (→FE→EE) as category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , Inaccuracies in FE |
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b. 251
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composition: Op. 19, Bolero
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We suggest adding staccato dots, the same as in analogous bar 137. The dots are present in GE (perhaps added by Chopin in a proofreading) and in EE (added by the reviser, most probably by comparison with bar 137). category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
marks there may have been caused by ends of systems that fell between those bars in 
in chord in 
in 
