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b. 389-390

composition: Op. 39, Scherzo in C♯ minor

 in EE

GC (→GE) & FE

category imprint: Differences between sources

b. 389

composition: Op. 11, Concerto in E minor, Mvt III

..

In FE (→EE,GE1GE2), the 2nd half of the bar is written with the help of octave sign; at the same time, FE (→GE1GE2) does not contain a single accidental therein. EE tried to correct the inaccuracy by adding sharps before e3 and a​​​​​​​2 and a ​​​​​​​ before d3. GE3 has the same notation we adopted in the main text.

category imprint: Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions

b. 390

composition: Op. 39, Scherzo in C♯ minor

..

In FE on the last crotchet in this bar there are seventh H1-A and seventh h-a1. This is an obvious error as the note heads of bottom notes are notated at the right pitch, only there are no ledger lines marked for them.

category imprint: Source & stylistic information

issues: Errors in FE

b. 390

composition: Op. 21, Concerto in F minor, Mvt III

Chord with c2 in A (→GE) & EE

Chord with a1 in FE

..

The version of FE with a tenth chord is certainly erroneous. The mistake was corrected in EE, most probably on the basis of comparison with analogous bar 46.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , Terzverschreibung error

b. 390

composition: Op. 11, Concerto in E minor, Mvt I

No  in FE

 before 5th quaver in GE

 after 6th quaver in EE

 suggested by the editors

..

In FE, the missing  after the  mark in bar 389 is most probably an oversight (of Chopin or of the engraver), since there are no reasons for the notation to deviate from the remaining, similar fragments. The mark was added already in GE and EE. See also bars 394-395.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , No pedal release mark