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b. 387
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composition: Op. 11, Concerto in E minor, Mvt III
..
The missing wedge over the 2nd chord is most probably an oversight of FE, repeated in the majority of the remaining editions. The only exception is GE3, in which both chords are provided with dots like in the previous bar. category imprint: Differences between sources; Editorial revisions issues: GE revisions , Wedges |
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b. 387
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composition: Op. 11, Concerto in E minor, Mvt III
..
In the main text, we suggest adding pedalling markings, since there is no doubt that this bar should be performed in the same manner as the previous one. The markings were added already in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 387
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composition: Op. 11, Concerto in E minor, Mvt III
..
In FE, there is no accidental before the 2nd chord. The inaccuracy was corrected in the remaining editions by adding a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 388
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composition: Op. 39, Scherzo in C♯ minor
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The staccato dots in GE must have been added by the editor, however, they may most certainly be performed (compare authentic staccato marks in corresponding bars 31, 113 and 129). category imprint: Differences between sources issues: GE revisions |
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b. 388
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composition: Op. 21, Concerto in F minor, Mvt III
..
In the main text we omit the cautionary category imprint: Editorial revisions |
in 
before the top note (d3) in 
before d
3.