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b. 300
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composition: Op. 21, Concerto in F minor, Mvt I category imprint: Differences between sources issues: Errors in FE |
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b. 300-304
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composition: Op. 21, Concerto in F minor, Mvt III
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The double articulation markings for the first crotchets in bars 300, 302 and 304 present in A are probably an element of an earlier concept – cf. bar 294. Due to this reason, it is only the wedges that we include in the main text. The dots in the L.H. are also absent in GE1 (→FE), although it does not seem to be a result of the proofreading. Replacing wedges with dots in GE (→FE→EE) stems from the business-as-usual approach of the engraver of GE1, and perhaps also haste. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in GE , GE revisions |
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b. 300
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composition: Op. 11, Concerto in E minor, Mvt I
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The most bottom note of the quaver chord in GE1 is an erroneous f category imprint: Interpretations within context; Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions |
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b. 300-301
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composition: Op. 11, Concerto in E minor, Mvt I
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In GE1 (→GE2), all grace notes are non-slashed in these bars, which is one of the indications of evident distraction of the engraver of GE1 in bars 299-302 (other mistakes include an overlooked quaver flag in bar 300, an erroneous last semiquaver in the L.H. in bar 300, Terzverschreibung errors in the chords in bars 300 and 302 as well as, most probably, three overlooked category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 300
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composition: Op. 11, Concerto in E minor, Mvt I
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In GE1, the quaver flag next to the first chord (after the grace note) was overlooked. This patent mistake was corrected already in GE2 (→GE3). category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , Rhythmic errors |
1, which was corrected already in 
marks in bars 299-301). The grace notes were written correctly in