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b. 251-267
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composition: Op. 39, Scherzo in C♯ minor
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The sources differ with regard to the presence or absence of staccato dots in bars 251, 259 and 267. In our main text we apply the consistent markings of GC. The version of GE is definitely - and that of FE probably - inaccurate. The absence of the dots in EE may be the initial version. category imprint: Differences between sources issues: Errors in GE |
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b. 251
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composition: Op. 42, Waltz in A♭ major
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On the 3rd crotchet GE certainly erroneously repeats the previous chord. category imprint: Differences between sources issues: Errors in GE |
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b. 251
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composition: Op. 21, Concerto in F minor, Mvt I
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The clearly long accents of A were reproduced in GE (→FE→EE) as category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , Inaccuracies in FE |
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b. 251
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composition: Op. 19, Bolero
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We suggest adding staccato dots, the same as in analogous bar 137. The dots are present in GE (perhaps added by Chopin in a proofreading) and in EE (added by the reviser, most probably by comparison with bar 137). category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 251-252
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composition: Op. 21, Concerto in F minor, Mvt III
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The slur in GE1 is written ambiguously – the slur at the end of the line of the text (bar 251) suggests continuation, yet in bar 252 the slur runs from the 1st note. The notation of FE (→EE) proves that, without seeing A, the notation of GE1 was interpreted as two separate slurs. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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