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b. 385

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 386-387

composition: Op. 21, Concerto in F minor, Mvt III

Slur to bar 387 in A & GE2

Shorter slur in GE1 (→FEEE)

..

Shortened slurs are a typical inaccuracy of the engraver of GE1 (→FEEE), corrected on the basis of A in GE2.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions

b. 386

composition: Op. 11, Concerto in E minor, Mvt III

Staccato dots in FE (→EE) & GE3

dot & wedge in GE1 (→GE2)

Wedges – our alternative suggestion

..

The wedge in GE1 (→GE2) is most probably a mistake. On the other hand, one can ponder whether it could be the dots that were printed in FE by mistake in place of wedges. The main theme of this movement, out of which the motif of this and the next bar is derived, was being provided with both types of markings throughout the entire movement, yet in this fragment it is generally wedges that prevail; we can observe them, e.g. next to the bass notes in bars 386-388 and next to a chord in the R.H. in bar 387. 

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in GE , GE revisions , Wedges

b. 386

composition: Op. 11, Concerto in E minor, Mvt III

No fingering in FE (→GE)

Fontana's fingering in EE

category imprint: Differences between sources

issues: EE revisions

b. 386

composition: Op. 11, Concerto in E minor, Mvt III

..

The ​​​​​​​ omitted in FE before the 1st semiquaver was added both in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions