Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 11, Concerto in E minor, Mvt I
The fingering of the octaves (here and in bars 252-255) given by Chopin generally does not deviate from the fingering indicated by Chopin a few years later in the Etude in B minor, op. 25, no. 10, bars 31-37. However, Fontana did not suggest the change of the fingers 5 and 4, which one could expect on the second octave in bar 251.
Compare the passage in the sources »
category imprint: Differences between sources
issues: EE revisions
notation: Fingering
