



b. 249-250
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text, we do not include the inauthentic R.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 250
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composition: Op. 39, Scherzo in C♯ minor
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Absence of the pedal mark in this bar in FE is definitely accidental – not only are such marks present in the other sources, but also FE itself has them in analogous bars 258 and 266. category imprint: Differences between sources |
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b. 250
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composition: Op. 39, Scherzo in C♯ minor
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Absence of the arpeggio mark in EE is probably an error, yet the possibility that it is the first (original) notation cannot be entirely ruled out. category imprint: Differences between sources issues: Errors in EE |
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b. 250
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we omit the category imprint: Differences between sources issues: GE revisions , Cautionary accidentals |
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b. 250
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composition: Op. 19, Bolero category imprint: Differences between sources issues: EE revisions |