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b. 249-250

composition: (Op. 4), Sonata in C minor, Mvt IV

No fingering in A (→GEFE,IE)

Fingering in EE

..

In the main text, we do not include the inauthentic R.H. fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 250

composition: Op. 39, Scherzo in C♯ minor

Pedalling in EE & GC (→GE)

No markings in FE

..

Absence of the pedal mark in this bar in FE is definitely accidental – not only are such marks present in the other sources, but also FE itself has them in analogous bars 258 and 266.

category imprint: Differences between sources

b. 250

composition: Op. 39, Scherzo in C♯ minor

No sign in EE

Arpeggio in GC (→GE) & FE

..

Absence of the arpeggio mark in EE is probably an error, yet the possibility that it is the first (original) notation cannot be entirely ruled out. 

category imprint: Differences between sources

issues: Errors in EE

b. 250

composition: Op. 21, Concerto in F minor, Mvt I

..

In the main text we omit the  present in A (→GE1FEEE) before the 1st note in the 2nd half of the bar. The unnecessarily repeated sign was removed in GE2.

category imprint: Differences between sources

issues: GE revisions , Cautionary accidentals

b. 250

composition: Op. 19, Bolero

No slur in FE (→GE,EE1)
 

Slur in EE2 (→EE3)

category imprint: Differences between sources

issues: EE revisions