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b. 245
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composition: (Op. 4), Sonata in C minor, Mvt I
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The missing wedge over the 5th quaver in GE (→FE,IE) must be due to an oversight by the engraver of GE. In EE the mark was most probably added by analogy with the next bar. category imprint: Differences between sources issues: EE revisions , Errors in GE |
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b. 245-248
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text, we do not include the inauthentic L.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 246
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composition: Op. 43, Tarantella
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In FC3 f category imprint: Differences between sources issues: Inaccuracies in GE , Errors of A , Inaccuracies in FC |
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b. 246-247
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composition: Op. 43, Tarantella
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In A, most probably as a result of omission fes2 in RH is not tied over to the next bar. Based on the corressponding tie in bars 244-245, we annotate the main text with a tie here. FC3, GE1 (→GE2→GE3) copy the incorrect notation of A. category imprint: Differences between sources issues: Errors of A |
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b. 246-247
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composition: Op. 21, Concerto in F minor, Mvt I
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GE (→FE→EE) treated the slur in the parts of both hands in the same way, which is not compliant with the notation of A. According to us, there are also no musical reasons to suspect an inaccuracy of the notation of A, hence we give it directly in the main text. category imprint: Differences between sources issues: Inaccuracies in GE |
2 crotchet in RH is not dotted.
on this note.
