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b. 372

composition: Op. 11, Concerto in E minor, Mvt I

Long & short accent in FE

Short accents in GE & EE

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The difference in the length of the accents in FE seems to be accidental – in bar 375, accents in a similar motif are all the same. Due to this reason, in the main text we give accents of the same length (short), just like in GE and EE

category imprint:

issues: Long accents

b. 372-373

composition: Op. 11, Concerto in E minor, Mvt III

Slur in FE (→EE,GE1GE2)

Slur in GE3

Our suggestion

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According to us, the varying ranges of the slurs in bars 373 and 377 may result from misunderstanding of the manner of encompassing the full rhythmic value of the last note with a slur ('slurs-tenuto'), used by Chopin on a number of occasions. The slurs visible in FE would be two attempts to adjust such slurs to the notes in the top voice. In the main text, we suggest reconstruction of such a notation in both bars. The slurs were unified also in GE3, which considered the version of bar 373 to be inaccurate. It can be regarded as an alternative attempt to interpret the slurs of FE.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions , Tenuto slurs

b. 372-373

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

Selected fingering from FEH

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In the main text, we include the digits written in FEH that, according to us, could have been written by Chopin.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 372

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 372

composition: Op. 16, Rondo in E♭ major

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We add a cautionary  before c4 in the main text.

category imprint: Editorial revisions