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b. 245
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
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b. 245-247
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composition: Op. 16, Rondo in E♭ major
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We add cautionary naturals before e category imprint: Editorial revisions |
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b. 245-246
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composition: Op. 23, Ballade in G minor
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In A, the slurs between these bars were being corrected – according to us, Chopin divided the initial continuous slur, which is indicated by the endings marking the division of the slur (the endings are clearly bolder, hence more important, final). However, the part of the initial slur that was supposed to be deleted was not eventually removed, hence FE (→EE) understood this correction the other way around (it is also likely that the correction was not there yet when FE was being engraved – see the description of FE). In the main text we give the slurs separated by Chopin. The versions of GE and GE1a, with the slur divided before the last sextuplet and after it, most probably resulted from mistakes or arbitrary revisions. category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations; Source & stylistic information issues: Errors in FE , Corrections in A , Errors resulting from corrections , Errors in GE , GE revisions |
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b. 245
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composition: Op. 23, Ballade in G minor
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In the main text we reproduce the additional slurs over the sextuplets, consistently present in A (→FE,EE). category imprint: Differences between sources; Editorial revisions issues: Errors in GE , GE revisions |
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b. 245
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composition: Op. 2, Variations, complete
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In AsI there is no category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration |
2 in bar 245 and e
restoring f in the penultimate semiquaver, which is a patent mistake, committed also in the bassoon part of this manuscript (but not in the cellos or the double basses).