



b. 245
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add a cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 245-247
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composition: Op. 11, Concerto in E minor, Mvt III
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The accents in the L.H. in bars 245 and 247 have different length in FE, but they do not seem to be long, so both GE and EE reproduced them as short. According to us, it is still possible that Chopin wrote long accents in [A], which is indicated by the slightly longer mark in FE in bar 247 and evident long accents in the orchestral part of FEorch (clarinet I and bassoon I). category imprint: Graphic ambiguousness; Editorial revisions issues: Long accents |
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b. 245
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
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b. 245-247
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composition: Op. 16, Rondo in E♭ major
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We add cautionary naturals before e category imprint: Editorial revisions |
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b. 245-246
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composition: Op. 23, Ballade in G minor
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In A, the slurs between these bars were being corrected – according to us, Chopin divided the initial continuous slur, which is indicated by the endings marking the division of the slur (the endings are clearly bolder, hence more important, final). However, the part of the initial slur that was supposed to be deleted was not eventually removed, hence FE (→EE) understood this correction the other way around (it is also likely that the correction was not there yet when FE was being engraved – see the description of FE). In the main text we give the slurs separated by Chopin. The versions of GE and GE1a, with the slur divided before the last sextuplet and after it, most probably resulted from mistakes or arbitrary revisions. category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations; Source & stylistic information issues: Errors in FE , Corrections in A , Errors resulting from corrections , Errors in GE , GE revisions |