Issues : Abbreviated notation of A
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b. 6-7
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composition: Op. 43, Tarantella
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In A and FC3 the second grouping of quavers in bars 6-7 is marked in short as repetition of the first group. Similarly in bars 14-15. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 14-15
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composition: Op. 43, Tarantella
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In A and FC3 the second grouping of quavers in bars 14-15 is marked in short as the repetition of the first grouping, similarlty to bars 6-7. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 84-87
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composition: Op. 43, Tarantella
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Bars 84-99 in Tarantella are repeated in bars 100-115 and 132-147. To avoid rewriting them three times Chopin in A and then Fontana in FC3 marked them with numbers 1-16 on the first exposition of the part, and for repetitions he left bars without notes only marked with numbers. It does not apply to the first editions, where all three passages are written out with notes. In all annotations regarding A and FC3 in bars 100-115 and 132-147 we present variants corresponding to bars 84-99. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 100-115
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composition: Op. 43, Tarantella
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In A and FC3 bars 100-115 are marked 1-16 as the repetition of bars 84-99. In A the upper voice is notated (marked) in b. 100, whereas in FC3 the abbreviation starts in b. 101 marked as 2. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 133-147
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composition: Op. 43, Tarantella
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In A and FC3 bars 133-147 are not written out and are replaced with numbers 1-16, which in fact means a repetition of bars 85-99 just like in corresponding bars 100-115. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
