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b. 245-249
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composition: Op. 49, Fantaisie in F minor
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At the end of bar 245 and 249 in the main text we add a cautionary category imprint: Editorial revisions |
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b. 245
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we do not include the inauthentic fingering concerning the R.H. octaves added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 245-246
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composition: (Op. 4), Sonata in C minor, Mvt I
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In A Chopin overlooked the flats restoring b category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE , Errors repeated in IE |
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b. 245
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composition: (Op. 4), Sonata in C minor, Mvt I
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As in many other places, in A Chopin wrote accidentals only to the top notes of the R.H. octaves. All the omitted accidentals were added by GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 245-247
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we precisely reproduce the slurs entered into A. In GE (→FE,EE) all slurs were shortened in accordance with the manner of adjusting them to regular rhythmic groups. Moreover, in IE the beginning of the 2nd slur in bar 245 was moved over the 1st quaver in the 2nd half of the bar, which was most probably related to the fact that the editions overlooked the wedge here. category imprint: Differences between sources issues: EE revisions , GE revisions |
to g3(2).
1 in bar 245 and b
