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b. 298

composition: Op. 21, Concerto in F minor, Mvt III

..

We add cautionary flats before d and d1 in the main text.

category imprint: Editorial revisions

b. 298

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE
..

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 298

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FED

No teaching fingering
..

The fingering digit, written in FED between the staves, could also refer to d1 in the R.H., which is, however, much less likely from the pianistic point of view.

category imprint: Graphic ambiguousness; Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 298

composition: Op. 11, Concerto in E minor, Mvt I

..

The traces of proofreading in print, visible in FE, allow us to state that the penultimate semiquaver was initially a b1. It was most probably the original version, since it seems to be highly unlikely that the note could have been printed by mistake.

category imprint: Corrections & alterations; Source & stylistic information

issues: Authentic corrections of FE

b. 298

composition: Op. 31, Scherzo in B♭ minor

..

In some of the editions, the whole-bar rest was specified with the digit 1 – over each of the staves in GE1 and EE, between the staves in GE3.

category imprint: Differences between sources

issues: EE revisions , GE revisions